Organ Works
オルガン作品

  • このコーナーのMIDIデータには、各声部の独立性を明らかにするため、可能な限り譜面に忠実な声部分離をして、室内楽編成的な器楽割当てを行いました。もちろん良質なパイプオルガン音色のあるソフト音源で再生すればオルガン音楽としても楽しめます。
  • To the MIDI files in this corner, I separated the voice part as far as similar to the reference, and assiged the instrument voice to each part as sounding like a kind of chamber music, to clarify the independent voice part. If you have proper software sound source containing good quality of pipe organ timbre, you can enjoy the desk top organ music.
  • R.H. = Right Hand, L.H. = Left Hand, Man = Manual, Pd. = Pedal
  • Organteq Setup ZIP file contains one MIDI-map file, and two preset files.
    Grand Orgue Church (Ogawayohan) for ORGANTEQ 1, and Baroque / Cathedral I (Ogawayohan) for ORGANTEQ 2.
    Sonata 1 in Es: BWV525 (Edition: Padova)
    for DOU-10 or MID Radio Comment
    Mov. MIDI Part
    1 2 3 4
    1.Allegro moderato R.H.
    (Vn)    		 L.H.
    (Va)    		 Pd.
  • 電子オルガンでの演奏経験あり、難しい(特に第３楽章)。
  • 全楽章多旋律的で、主題による展開後その転回形による展開が続きます。
  • 第２楽章は繰り返し変奏のため、声部の入れ替えや多少の変更を行っています。
  • ６曲のオルガンソナタの中で最も良く出来た作品でまた最も好きな曲です。
  • Had an experience to play by electronic organ, difficult (especially the 3-rd movement).
  • All the movements are made polyphonic, and the theme is followed by its inverted form.
  • In the 2nd movement, voice change and some note change done for variation of the repetition.
  • The most well-designed and the most favorite one among 6 sonatas for organ.
    • (Vc) (Cb)
    2.Adagio R.H.
    (Fl)    		 L.H.
    (Ob)    		 Pd.
    (Fg) (Cb)
    3.Allegro R.H.
    (Vn)    		 L.H.
    (Va)    		 Pd.
    (Vc) (Cb)
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　1.Allegro moderato
    　
    　to fit the pattern above ...
    　
    　
    　2.Adagio
    　
    　
    　
    　3.Allegro
    　
    　to fit the pattern above ...
    　
    • Prelude & Fuga in d: BWV539 (Edition: Baerenreiter)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3 4 5 6
    1.Prelude Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Va)    		 - Man-4
    (Vc)    		 - 1.Prelude 3(Grand)
  • 練習経験なし。
  • No experience of practicing.
    • 2.Fuga Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Va)    		 Man-4
    (Va)    		 Pd. 2.Fuga 1(Pd.)
    2(Positif)
    3(Grand)
    (Vc) (Cb)
    Sonata I in g
    (BWV1001)
    2.Fuga    		 Vn-I Vn-II Vn-III Vn-IV
  • "BWV539: Fuga"の原曲です。
    　ヴァイオリン独奏用ですが、ここでは四重奏仕立てで作ってみました。
  • The original tune of "BWV539: Fuga".
    　Made for violin-solo, but re-arranged as violin-quartet-style here.
    • Fuga in g
    (for Lute)
    (BWV1000)    		 Lute
    (Nylon gt.)    		 Lute
    (Nylon gt.)    		 Lute
    (Nylon gt.)    		 -
  • リュートのためのバッハ自身の編曲です。
    　オルガン版とどちらが先に出来たかは不明です。
  • Re-arrangement for lute made by Bach himself.
    　Not known which was the next to the original, BWV1000 or BWV539.
    • for the same notes
    on different strings
     Toccata & Fuga in F: BWV540 (Edition: Schirmer)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3 4 5
    1.Toccata R.H.
    (Vn)    		 L.H.
    (Va)    		 - Pd. 1.Toccata 1(Pd.)
    3(Grand)
  • 練習経験なし。
    　足鍵盤２オクターブの電子オルガンでは演奏不可能、非常に難しそう。
  • No experience of practicing.
    　Impossible to play by electronic organ of 2-octave Pd. keyboard, seems very difficult.
    • (Vc) (Cb)
    2.Fuga Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Va)    		 Pd. 2.Fuga 1(Pd.)
    3(Grand)
    (Vc) (Cb)
     Prelude & Fuga in G: BWV541 (Edition: Peters)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3 4 5
    1.Prelude Man-1 (Vn) Man-2 (Vn) Man-3 (Vn) Pd. 1.Prelude 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり、非常に難しい。
  • 「イタリア協奏曲」のオルガン版です。
  • 初期の版には中間楽章としてBWV528/2-アンダンテが置かれていました。
  • 全てのオルガン作品の中で最も気に入っています。
  • Had an experience to play by electronic organ, very difficult.
  • "Italian Concerto" of organ version.
  • BWV528/2-Andante came to middle movement in earlier version.
  • My best favorite among all the works for organ.
    • (Vc) (Cb)
    2.Fuga Man-1 (Vn) Man-2 (Vn) Man-3 (Vn) Pd. 2.Fuga 1(Pd.)
    3(Grand)
    (Vc) (Cb)
  • 本作品での意図的な変更 / The intentional change for this work
    　前奏曲 / Prelude: bar-78
    　
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　
    　
    •  Prelude & Fuga in h: BWV544 (Edition: Peters)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3 4 5
    1.Prelude Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd. 1.Prelude 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり、難しい。
  • 前奏曲は明らかに受難の雰囲気を持っています。
  • フーガは対位旋律と十字架の象徴音形が多く現れます。
  • 一見地味ですがやはり傑作の一つです。
  • Had an experience to play by electronic organ, difficult.
  • Prelude clearly has the atmosphere of passion (suffer and death of Jesus).
  • In Fuga, many counter melodies and symbols of the Cross appears.
  • It's not so facsinate at the first listen, but well designed one indeed.
    • (Vc) (Cb)
    2.Fuga Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd. 2.Fuga 1(Pd.)
    3(Grand)
    (Vc) (Cb)
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　
    　
    •  Prelude & Fuga in C: BWV547 (Edition: Peters)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3 4 5 6
    1.Prelude Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 - Pd. 1.Prelude 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり、難しい。
  • 前奏曲は楽しげなクリスマスを思わせる弾むリズムが中心。
  • フーガでは主題が転回・拡大・拡大転回されたりと、
    　「フーガの技法」を思わせる複雑な作りとなっています。
  • Had an experience to play by electronic organ, difficult.
  • Prelude brings joyful bounce rhythm, Christmas feeling.
  • In Fuga, theme is inverted, augmented, augmented and inverted,
    　complecated structure as well as the pieces in "Art of Fuga".
    • (Vc) (Cb)
    2.Fuga Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Man-4
    (Vn)    		 Pd. 2.Fuga 1(Pd.)
    3(Grand)
    (Vc) (Cb)
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　
    　
    　
    •  Toccata & Fuga in d: BWV565 (Edition: Peters)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3 4 5
    1.Toccata Man-1
    (Vn)    		 Man-2
    (Vn)    		 - Pd. 1.Toccata 1(Pd.)
    2(Positif)
    3(Grand)
  • オルガンでの演奏経験あり。
  • 彼のオルガン作品の中で最も有名な曲です。
  • この曲に関してはJ.S.Bach作を疑う意見もありますが、
    　やはりJ.S.バッハらしいよく考えられた曲だと思います。
  • Had an experience to play by organ.
  • Talking about his works for organ, the most famous one.
  • There are many opinions about this tune as the doubtful authenticity,
    　but I think this is well-designed that J.S.Bach would made.
    • (Vc) (Cb)
    2.Fuga Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd. 2.Fuga 1(Pd.)
    2(Positif)
    3(Grand)
    (Vc) (Cb)
     Fuga in g: BWV578 (Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    3(Grand)
  • オルガンでの演奏経験あり。
  • 彼のオルガン作品の中ではBWV565の次に有名な曲です。
  • 様々なアーティキュレーションとレジストレーションによる演奏がありますが、
    　やはり中規模または小規模な音量設定による演奏が好きです。
  • Had an experience to play by organ.
  • This is the famous one next to BWV565 among his works for organ.
  • There are so many ways of articulation and registration to play this tune,
    　but I prefer the settings of middle or small loudness.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd.
    (Vc) (Cb)
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　
    •  Passacaglia in c: BWV582 (Edition: Braerenreiter)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり、非常に難しい。
  • 彼のオルガン作品中最高傑作であることは間違いありません。
  • フーガは常に２つの対旋律を伴います。
  • Had an experience to play by electronic organ, very difficult.
  • This is the most well-designed one among his works for organ.
  • Themes of fuga is always accompanied by two counter melodies.
    • Man-1 (Vn) Man-2 (Vn) Man-3 (Vn) Pd.
    (Vc) (Cb)
  • 本作品での意図的な変更 / The intentional change for this work
    　
    •  Pastorale: BWV590 (Edition: Braerenreiter)
    for DOU-10 or MID Radio for ORGANTEQ Comment
    Mov. MIDI Part Mov. MIDI Part
    1 2 3
    I.Alla Siciliana Man-1
    (Ob)    		 Man-2
    (E.Hr)    		 Man-3/Ped
    (Fg)    		 I.Alla Siciliana 1(Pd.)
    3(Grand)
  • ほとんど手鍵盤のみで演奏できる、数少ないオルガン作品。
  • 全４楽章でそれぞれ単独でも魅力的です。
  • Playable almost by Man keyboard only.
  • 4-movements of all, still each one alone is attractive also.
    • II.Allemande II.Allemande 2(Positif)
    III.Aria III.Aria 2(Positif)
    4(Recit)
    IV.Alla Gigue IV.Alla Gigue 3(Grand)
     Nun komm, der Heiden Heiland: BWV599 (From Orgelbuechlein, Edition: Braerenreiter)
    for ORGANTEQ
    MIDI Part    		 Comment
    1(Pd.)
    2(Positif)
  • 電子オルガンでの演奏経験あり。
    初心者はこのような曲から始めるべきです。
  • Had an experience to play by electronic organ.
    The beginner should start practicing the tune like this.
    • Vom Himmel hoch, da komm ich her: BWV606 (From Orgelbuechlein, Edition: Braerenreiter)
    for ORGANTEQ
    MIDI Part    		 Comment
    1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり。
  • Had an experience to play by electronic organ.
    • Jesu, meine Freude: BWV610 (From Orgelbuechlein, Edition: Braerenreiter)
    for ORGANTEQ
    MIDI Part    		 Comment
    1(Pd.)
    2(Positif)
  • 電子オルガンでの演奏経験あり。
  • Had an experience to play by electronic organ.
    • Wachet auf, ruft uns die Stimme: BWV645 (From 6-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 1(Pd.)
    2(Positif)
    4(Recit)
  • 電子オルガンでの演奏経験あり。３番目に有名なオルガン曲です。
  • 一見簡単そうですが、右手、左手、足が独立したトリオ形式は意外と難しいです。
  • Had an experience to play by electronic organ.
    　This is the third famous one among his works for organ.
  • It seems easy at the first look of the score, but unexpectedly difficult to play this kind of trio-form,
    　made by independent right-hand, left-hand, and feet parts.
    • Man-1
    (Ob)    		 Man-2
    (Vn)    		 Pd.
    (Vc) (Cb)
     Wer nur den lieben Gott laesst walten: BWV647 (From 6-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 1(Pd.)
    2(Positif)
  • 電子オルガンでの演奏経験あり、特に手鍵盤パートが難しい。
  • Had an experience to play by electronic organ, difficult especially Man-parts.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Pd.
    Choral
    (E.Hr)    		 Man-3
    (Vc)
     Meine Seele erhebt den Herren: BWV648 (From 6-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 1(Pd.)
    2(Positif)
    4(Recit)
  • 電子オルガンでの演奏経験あり。
  • ペダル音のフィート変更が容易な仕組みがあれは、鍵盤数が少ない電子オルガンでも
    　譜面通りに演奏できます。
  • Had an experience to play by electronic organ.
  • If it is easy to change footage of Pd.-tone, it is possible to play as the score
    　by the electronic organ of 25key-Pd.
    • Man-1
    (Ob)    		 Man-2
    (Vn)    		 Pd.
    (Vc) (Cb)
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符を8-feet、その後16-feet、後奏も同様に
    　An arrangement for electronic organ of 2-octaves (25-keys) → red notes for 8-feet voice, the others 16-feet, ending also
    　
    •  Ach bleib bei uns, Herr Jesu Christ: BWV649 (From 6-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 1(Pd.)
    2(Positif)
    4(Recit)
  • 練習経験なし。
  • No experience of practicing.
    • Man-1
    (Ob)    		 Man-2
    (Vc)    		 Pd.
    (Cb)
     Fantasia super: Komm, heiliger Geist, Herre Gott: BWV651 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり、非常に難しい。
  • BWV540のトッカータ部分と似た雰囲気があります。
  • Had an experience to play by electronic organ, very difficult.
  • It has the similar atmosphere as Toccata-part of BWV540.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Va)    		 Pd.
    (Vc) (Cb)
     Schmuecke dich, o liebe Seele: BWV654 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    2(Positif)
    3(Grand)
  • 電子オルガンでの演奏経験あり。
  • シューマンがこの作品を絶賛した逸話で有名です。
    　繰り返しの２度目は装飾を多くするという変奏も考えて良いでしょう。
  • Had an experience to play by electronic organ.
  • There was an episode that Schumann　appreciated this tune so much.
    　There will be posibility to add more grace to 2nd time of repeat.
    • Man-1
    (Ob)    		 Man-2
    (Va)    		 Man-3
    (Va)    		 Pd.
    (Vc) (Cb)
     Trio super: Herr Jesu Christ, dich zu uns wend’: BWV655 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 1(Pd.)
    2(Positif)
    3(Grand)
  • 電子オルガンでの演奏経験あり、難しい。
  • 典型的なトリオ形式で、コラール旋律は最後にペダルに現れます。
  • Had an experience to play by electronic organ, difficult.
  • Typical trio style, choral melody appears in Pd. at last.
    • Man-1
    (Ob)    		 Man-2
    (Vn)    		 Pd.
    (Vc) (Cb)
  • 本作品での意図的な変更 / The intentional change for this work
    　
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　
    　
    •  O Lamm Gottes, unschuldig: BWV656 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 6 1(Pd.)
    2(Positif)
    3(Grand)
  • 電子オルガンでの演奏経験あり、難しい。
  • 節毎に音色（ストップの組み合わせ）を変更するべきでしょう。
  • 第３節第３行の部分の二箇所のタイを故意に無視しています。
  • Had an experience to play by electronic organ, difficult.
  • Timbre (stop-combination) should be changed by versus.
  • Ignored 2-ties in the 3rd-line 3rd-vers.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Va)    		 Man-4
    (Va)    		 Pd.
    (Vc) (Cb)
     Nun danket alle Gott: BWV657 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり、難しい。
  • 大らかに喜びが表現された明るい曲です。
  • コラール・フーガですがソプラノによる主題の最後の再現は拡大形です。
  • Had an experience to play by electronic organ, difficult.
  • Very bright and joyful feeling expressed in great scale.
  • In the style of Choral fuga, but the last appearance of theme is enlarged in soprano.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd.
    (Vc) (Cb)
  • 2オクターブ(25鍵)ペダルの電子オルガン用の変更 → 赤い音符
    　An arrangement for electronic organ of 2-octaves (25-keys) → as red notes
    　
    •  Nun komm, der Heiden Heiland: BWV659 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    2(Positif)
    3(Grand)
  • 電子オルガンでの演奏経験あり。
  • 典型的なベーム式装飾コラールです。
  • 低声３声は歌詞の意味を踏まえた動きをしているようです。
  • Had an experience to play by electronic organ.
  • Typical Boehm way of graced Choral.
  • The movements of the lower 3-voices seems to express the Choral text.
    • Man-1
    (Ob)    		 Man-2
    (Va)    		 Man-3
    (Va)    		 Pd.
    (Vc) (Cb)
     Nun komm, der Heiden Heiland: BWV660 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 1(Pd.)
    3(Grand)
    4(Recit)
  • 練習経験なし。
  • トリオながら低音部が２声という変わった編成で、「ミサ曲ロ短調」の"Quoniam"を
    　連想してしまいます。
  • 音色設定については様々な例がありますが、ペダルパートには16フィートを加えたいです。
  • No experience of practicing.
  • Trio but duo bass, strange arrangement, reminds me "Quoniam" of "Mass in b-minor".
  • There are many ways of timbre setting examples, but I prefer to add 16-feet sound to Pd. part.
    • Man-1
    (Ob)    		 Man-2
    (Fg)    		 Pd.
    (Vc) (Cb)
     Nun komm, der Heiden Heiland: BWV661 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    3(Grand)
    4(Recit)
  • 電子オルガンでの演奏経験あり。難しい。
  • 手鍵盤パートに現れるコラール旋律とは異なる主題は、後半から転回形で、
    　更に終盤では正反両形が同時に現れるという凝ったものです。
  • Had an experience to play by electronic organ, difficult.
  • The theme of Man parts, not similar to choral melody, is inverted from the second half,
    　both normal and inverted appear same time in the ending.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd.
    (Vc) (Cb)
     Jesus Christus, unser Heiland: BWV665 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 6 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり。難しい。
  • 「17のコラール」の中では最も良く出来た作品で、厳格なコラール・フーガ
    　ながら、とても悲劇的で激しい表現が用いられています。
  • 歌詞１行毎に変わる対位旋律は、歌詞の各行の意味に呼応しているようです。
  • Had an experience to play by electronic organ, difficult.
  • The most well-designed among 17-Chorals, strict choral-fuga,
    　but very tragic and passionate expression.
  • The counter melody of each verse seems to follow the meanings.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Man-4
    (Vn)    		 Pd.
    (Vc) (Cb)
     Jesus Christus, unser Heiland: BWV666 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 6 1(Pd.)
    2(Positif)
  • 電子オルガンでの演奏経験あり。
  • 趣向はBWV665とほぼ同様ですが、こちらは静かな雰囲気の音楽です。
  • ほぼ全編手鍵盤での演奏ですので、それなりの難しさがあります。
  • Had an experience to play by electronic organ.
  • The design is similar to BWV665, but this one has calm atmosphere.
  • Almost all is played only by Man, it makes special kind of difficulty.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Man-4
    (Vn)    		 Pd.
    (Vc) (Cb)
     Komm, Gott, Schoepfer, Heiliger Geist: BWV667 (From 17-Chorals, Edition: Peters)
    for DOU-10/MID Radio
    MIDI Part    		 for ORGANTEQ
    MIDI Part    		 Comment
    1 2 3 4 5 1(Pd.)
    3(Grand)
  • 電子オルガンでの演奏経験あり。
  • 「オルガン小曲集」版(BWV631)でも知られる前半部分は、ペダルが主に裏拍に
    　置かれるという非常に珍しい例です。
  • 定旋律がペダルに移る後半部分は、聖霊が活発に動き回る様子が、16分音符の
    　音階の上下によって描かれているかのようです。
  • Had an experience to play by electronic organ.
  • In the first half, also known as "Orgelbuechlein" version (BWV631), Pd.-bass comes mainly
    　on back beat, it is very rare example.
  • In the second half, up and down scale of the 16th-notes melodies express as if
    　"Heiliger Geist" moves actively.
    • Man-1
    (Vn)    		 Man-2
    (Vn)    		 Man-3
    (Vn)    		 Pd.
    (Vc) (Cb)